New York - digital effects, Inc. then R/ Greenberg Associates - StarTED with commercials and design - lots of titles, motion graphics and VFX. found CGI in the VERY early days - worked on TRON and other pioneering work, starting the CGI Department in 1981 at RGA, after working at Digital Effects Inc, NYC. It was the feature film work that inspired me to work long hours happily. From Titles for "The Untouchables" (DePalma), "Life Lessons" and "Goodfellas" (Scorcese), "Millers Crossing" and "Barton Fink" (The Coen Brothers) to VFX for Studio films and hundreds of TV Commercials for major corporations (IBM, AT&T, Pacific Telesis, Krups etc.
LOS ANGELES - NOW ON THE LEFT COAST. SUPER MARIO BROS., - FIRST FREELANCE JOB WAS A FINALIST FOR AN ACADEMY AWARD FOR SPECIAL VISUAL EFFECTS. 2ND UNIT DIRECTOR & VFX SUPERVISOR, DESIGNER, PRODUCER - SHOOTING ON LOCATION WAS GREAT, BUT THE SETUP AND MANAGEMENT OF MAYBE
Chris F. Woods - DGA 2nd Unit Director, VFX Supervisor & Producer, Designer and DI Colorist
Digital Intermedates, VFX & Titles
A lot more work on Feature Films, some TV, a groundbreaking DOT-COM start up, production & Digital intermediate workflow Design as the world of FILM origination gave way to the digital realm (for better and worse, but mostly better).
Fast forward - 2015 - Now co-located with The Dick Clark Screening Room, offering post-production services at the highest level of quality but also efficiency. Talk to us first and your production will be the better for it.
Still pushing the limits.
THE FIRST 2K COMPOSITING STUDIO WAS crazy fun!. FIRST FLAME ON A FEATURE FILM (10 total, but who's counting ) - FIRST FEATURE FILM THROUGH THE KODAK CINEON 35MM SCANNER AND FILM RECORDER FOR ALL VFX (800 ELEMENTS - thought to be impossible at the start of the project - BUT IT WAS THE DIGITAL STONE AGE).